爱情公寓3

花港深处，名园蒋庄 离西湖最近的婚姻登记处_我的网站

一 |     Alia Bhatt offered a deeply personal reflection on her decade-long journey in cinema during a conversation at the Red Sea Film Festival. She traced how her craft, instincts, and inner voice have evolved from her teenage years to her early thirties. The actor entered the industry at just 17. She took this moment to describe the past ten years as a transformative period shaped by emotional maturity.      Bhatt recalled her early years as an actress, when she started out with films like Student of the Year and Highway. She recalled the time in her career when she was wide-eyed, eager, and fuelled by a tireless desire to prove herself. “Maybe earlier I was way more enthusiastic and fuller of beans, trying really hard because it’s normal when you’re just starting out,” she said. She noted how every opportunity felt urgent and every moment on set carried the thrill of discovery. Back then, she admitted, she was constantly pushing to be everywhere, do everything and absorb every ounce of the industry.           Today, though still driven by the same passion, her approach has shifted. She described her current mindset as more grounded, intentional, and measured. “I’m still enthusiastic, still full of beans, but the approach is more silent,” Bhatt said, emphasising that her choices come with greater clarity and purpose. She explained that age and experience bring a change. To emphasise the same, she said, “There's just emotional and physiological and just life changes that happen. The way you look at a situation, the way you approach a situation.”                                                                 View this post on Instagram          A post shared by ✮ (@archivesalia)               Despite this maturity, Bhatt confessed that a part of her wishes to ‘hold on’ to the innocence and spontaneity of her younger self. A need to stay true to the version that leapt into performances with instinct rather than calculation.      Currently, she is gearing up to star in Sanjay Leela Bhansali’s Love and War opposite Ranbir Kapoor and Vicky Kaushal. She is also set to lead the first female-driven spy film of the YRF Spy Universe. Sharvari and Bobby Deol will also be seen the film, Alpha, alongside her. The film is set to release in April 2026. Also Read: Alia Bhatt carries her spark to the Red Sea Film Festival in a couture ensemble. See pics:。    见证白首之约，承载百年传奇从九曜山俯瞰西湖蒋庄从许仙与白娘子的烟雨邂逅，到苏小小与阮郁的惊鸿一瞥，再到梁山伯与祝英台的生死相随……杭州是中国的“爱情之都”，浪漫的基因自古以来便流淌于城市的血脉中。

二 | 去年七夕，这份爱情传统在西湖边花港观鱼的蒋庄迎来新的落点——杭州市民政局婚姻登记处在此正式揭牌启用，为新人们提供了一个独一无二的结婚登记之处。

三 | 转眼，又一年七夕即将到来，这个离西湖最近的婚姻登记点，静静等待有情人奔赴。

四 | 许多人到这里，只为在西湖风光里许下一生诺言，忽略了它本身的迷人之处。甚至连到过花港公园多次的老杭州，也少有人知晓，这座承载浪漫与温情的江南庭园，名字叫“蒋庄”，写满跌宕起伏的百年往事。西湖蒋庄，写着“西湖”二字的网红打卡墙。西湖四大名庄之一从苏堤映波桥畔信步而入，进入花港观鱼公园，沿着小南湖北岸一路向西，一座古老的中西结合庄园隐于绿荫深处，这里就是“蒋庄”。西湖有四大名庄，分别为刘庄、汪庄、蒋庄、郭庄，它们散落在湖西周边，各具脾性。蒋庄造型小巧，占地面积约3168平方米，建筑面积1295平方米，是西湖四大名庄里最“袖珍”的一座。它藏于花港观鱼公园深处，是“园中园”，临水而建，三面环湖。蒋庄的入口是一扇月洞门，匾额上题着“揜水园”三个字，“揜”发音同“掩”，有掩映、遮蔽之意；“揜水”之名，意在突出园林隐映于水光之间的意境。

五 | 月洞门边的白墙上开设了好几座造型不一样的漏窗，有宝瓶、葫芦等样式——宝瓶寓意平安，葫芦代表福禄，寄托着人们吉祥美好的祝愿。在园林设计里，这是“漏景”手法，可以打破围墙的封闭感，具有江南特色。

六 | 进门处，首先是一面“网红墙”，墙上白底红字书写着“西湖”二字，聚集了不少打卡拍照的年轻人。墙的另一侧是一首马一浮的诗作《题山中蜡梅》，“行路视同薪后木，空山留伴壁中书”，显尽隐士之风。全庄分主楼、西楼和东楼。主楼是小青瓦歇山顶，四周为走马廊，与西楼外廊相接。

七 | 楼前有个庭院，面朝小南湖，风景别致。最惹人注意的是园中两棵巨大的广玉兰，树枝垂到湖面，足足有一百年的树龄。园内草木葱茏，竹篱环绕，一步一景。

八 | 一座又长又直的石桥，径直连接苏堤，把蒋庄与西湖结为一体，是这座庄园的“神来之笔”——定香桥。雕栏横跨水面，桥底铺满莲叶，站在桥上，吹着湖面的细细荷风，看着远处游船来往，充满诗情。桥的尽头有一扇铁门，原先这是苏堤通往蒋庄的正门，现在门关着。桥旁有一处“曲椽花架”，是座镂空花亭，采用当时少见的钢筋混凝土工艺打造，通体为镂空雕花的水泥构件，纹样融合传统中式几何花窗样式，工艺精细，是西湖近代园林中西合璧风格的典型代表。顶部被藤类绿植覆盖，形成天然的绿色顶棚。再往前走，会看到一座单檐歇山顶的亭子伸向湖面，亭名为“寂照亭”，三面湖水环绕，柱上题着一副“唯问白云何处去，不知明月几时来”的对联。飞檐微微翘起，亭身半倚水上，站在亭中可以看到苏堤，将一湖烟雨也纳入庄园。从小万柳堂到蒋庄这样讲究的一座江南园林，它的主人是谁？时间回到二十世纪初，有一位名叫廉泉的金石书画收藏家，在小南湖畔建起了一座带有欧式风格的别墅，取名为“小万柳堂”，这便是蒋庄的前身。廉泉，字惠卿，江苏无锡人，前清举人，通诗文，善书画，慷慨侠义，曾参加过康有为、梁启超等领导的“公车上书”，后来因不满清廷统治而辞官闲居，购置杭州与上海两处“小万柳堂”，自号“小万柳居士”，小万柳堂一时成为文人雅集之所。据说，他喜好咏诵夕阳，人称“廉夕阳”，还曾协助创办无锡早期的学校竞志女学、三等学堂。

九 | 廉泉的妻子吴芝瑛，出身桐城文学世家，以诗书闻名，精通书法。她有一位“好闺蜜”，就是“鉴湖女侠”秋瑾。

十 | 1907年，秋瑾在绍兴轩亭口英勇就义，年仅32岁，噩耗传来，吴芝瑛正卧病在床，却强撑病体，与另一位好友徐自华相约，誓要为秋瑾完成“埋骨西泠”之愿。

十一 | 她们不顾个人安危，收殓了秋瑾的遗骨，几经波折，最终将其灵柩安葬于西泠桥侧，在墓碑写下“呜呼鉴湖女侠秋瑾之墓”十个字。吴芝瑛还在上海的“小万柳堂”内，建了“悲秋阁”，供奉秋瑾遗像。清宣统年间，廉泉夫妇将这座庄园转手卖给了南京富商蒋国榜。蒋国榜，字苏庵，靠着桐油生意做到全国，成了中国桐油大亨。新中国成立之初，蒋国榜将自己的私营企业捐给了国家，是一位爱国的民族资本家。同时，蒋国榜还是有名的孝子，他买下“小万柳堂”目的是供母亲养老。因别墅的主人姓蒋，杭州人遂称它为“蒋庄”。购得庄园后，蒋国榜广植花木，对屋宇进行了整修，打造成了东方风格庄园，其中主楼建于1901年，东楼建于1923年。平面布局因地制宜，前堂后园，不拘一格。将庄园易名“兰陔别墅”——“兰陔”取自《诗经》，意为孝子养亲。

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Published on:01:50:20